google-site-verification: google1c6a56b8b78b1d8d.html Ancient Giants

Monday, September 7, 2020

Ancient Origins of Sun and Nature Worship

Ancient Origins of Sun and Nature Worship





     
     In the Egyptian as in the Indian and Hebrew religions, the two generating principles throughout Nature represent the Infinite, the Holy of Holies, the Elohim or Aleim–the Ieue. Within the records of the earliest religions of Ethiopia or Arabia, Chaldea, Assyria, and Babylonia, is revealed the same monad principle in the Deity. This monad conception, or dual unity, this God of Light and Life, or of Wisdom and generative force, is the same source whence all mythologies have sprung, and, as has been stated, among all peoples the fact is observed that the religious idea has followed substantially the same course of development, or growth. Within the sacred writings of the Hindoos there is but one Almighty Power, usually denominated as Brahm or Brahme– Om or Aum. This word in India was regarded with the same degree of veneration as was the sacred Ieue of the Jews. In later ages, the fact is being proved that this God, into whom all the deities worshipped at a certain period in human history resolve themselves, is the sun, or if not the actual corporeal sun, then the supreme agency within it which was acknowledged as the great creative or life-force– that dual principle which by the early races was recognized as Elohim, Om, Ormuzd, etc., and from which the productive power in human beings, in plants, and in animals was thought to emanate.
      Prior to the development of either tree or phallic worship, the sun as an emblem of the Deity had doubtless become the principal object of veneration. Ages would probably elapse before primitive man would observe that all life is dependent on the warmth of the sun’s rays, or before from experience he would perceive the fact that to its agency as well as to that of the earth he was indebted both for food and the power of motion. However, as soon as this knowledge had been gained, the great orb of day would assume the most prominent place among the objects of his regard and adoration. That such has been the case, that the sun, either as the actual Creator, or as an emblem of the great energizing force in Nature, has been worshipped by every nation of the globe, there is no lack of evidence to prove; neither do we lack proof to establish the fact that, since the adoption of the sun as a divine object, or perhaps I should say as the emblem of Wisdom and creative power, it has never been wholly eliminated from the god-idea of mankind.
     Bryant produces numberless etymological proofs to establish the fact that all the early names of the Deity were derived or compounded from some word which originally meant the sun.
Max Muller says that Surya was the sun as shining in the sky. Savitri was the sun as bringing light and life. Vishnu was the sun as striding with three steps across the sky, etc.
Inman, whose etymological researches have given him considerable prominence as a Sanskrit and Hebrew scholar, says that Ra, Ilos, Helos, Bil, Baal, Al, Allah, and Elohim were names given to the sun as representative of the Creator.
     We are assured by Godfrey Higgins that Brahme is the sun the same as Surya. Brahma sprang from the navel of Brahme. Faber in his Pagan Idolatry says that all the gods of the ancients “melt insensibly into one, they are all equally the sun.” The word Apollo signifies the author or generator of Light. In the Rig Veda, Surya, the sun, is called Aditya. “Truly, Surya, thou art great; truly Aditya, thou art great.”
Selden observes that whether the gods be called Osiris, or Omphis, or Nilus, or any other name, they all center in the sun.
According to Diodorus Siculus, it was the belief of the ancients that Dionysos, Osiris, Serapis, Pan, Jupiter and Pluto were all one. They were, the sun.
Max Muller says that a very low race in India named the Santhals call the sun Chandro, which means “bright.” These people declared to the missionaries who settled among them, that Chandro had created the world; and when told that it would be absurd to say that the sun had created the world, they replied: “We do not mean the visible Chandro, but an invisible one.”
Not only did Dionysos, and all the rest of the gods who in later ages came to be regarded as men, represent the sun, but after the separation of the male and female elements in the originally indivisible God, Maut or Minerva, Demeter, Ceres, Isis, Juno, and others less important in the pagan world were also the sun, or, in other words, they represented the female power throughout the universe which was supposed to reside in the sun.
      most groups of Babylonian and Assyrian divine emblems, there occur two distinct representations of the sun, “one being figured with four rays or divisions within the orb, and the other, with eight.” According to George Rawlinson, these figures represent a distinction between the male and female powers residing within the sun, the quartered disk signifying the male energy, and the eight-rayed orb appearing as the emblem of the female![26]
[26] Essay x.
During an earlier age of human history, prior to the dissensions which arose over the relative importance of the sexes in reproduction, and at a time when a mother and her child represented the Deity, the sun was worshiped as the female Jove. Everything in the universe was a part of this great God. At that time there had been no division in the god-idea. The Creator constituted a dual but indivisible unity. Dionysos formerly represented this God, as did also Om, Jove, Mithras, and others. Jove was the “Great Virgin” whence everything proceeds.
     “Jove first exists, whose thunders roll above,
          Jove last, Jove midmost, all proceeds from Jove;
      Female is Jove, Immortal Jove is male;
          Jove the broad Earth, the heavens irradiate pale.     
      Jove is the boundless Spirit, Jove the Fire,
          That warms the world with feeling and desire.”
     In a former work the fact has been mentioned that the first clue obtained by Herr Bachofen, author of Das Mutterrecht, to a former condition of society under which gynaecocracy, or the social and political pre-eminence of women, prevailed, was the importance attached to the female principle in the Deity in all ancient mythologies.
     According to the testimony of various writers, Om, although comprehending both elements of the Deity, was nevertheless female in signification. Sir William Jones observes that Om means oracle–matrix or womb.[27] Upon this subject Godfrey Higgins, quoting from Drummond, remarks:

Tuesday, September 1, 2020

Gematria Numerology of the "Sacred Union of Opposites" (1746) at the Lexington, Kentucky Henge and the Great Pyramid.

 Gematria Numerology of the "Sacred Union of Opposites"  (1746) at the Lexington, Kentucky Henge and the Great Pyramid.



The Lexington, Kentucky henge and the Great Pyramid of Egypt follow the principles of the ancient numerological codex of Gematria the was established by the Amorites giants when they controlled Babylon as early as 1895  B.C.

The core numbers of Gematria Numerology are 666 that was symbolic of the Sun male deity and 1080 that represented the female Earth or Lunar goddess.

555 represented the number of 'fusion' of the two principles or the Sacred Marriage.

555 X pi =1746 or the sum total of 1080 + 666







According to John Mitchell in "The New View Over Atlantis, 1969"

     "One of the ways in which the number of fusion, 1746, relates to the Great pyramid is illustrated in the diagram overleaf, in which the profile of the Pyramid is placed in association with the basic figure of Sacred Geometry and architecture known as the vesica piscis or 'vessel of the fish'.  The figure of the vesica is fromed by the intersection of two equal circles, the circumference of each of which passes throuth the centre of the other.  It is not merely a figure of abstract geometry, since it occurs in many patterns of nature.  It represents a state of perfect equilibrium between two equal forces, and in the symbolic vocabulary of the bold geometers it was an image of the interpenetrating worlds of heaven and earth, spiritual matter, and other such complementary elements.  in this case, the hieght of the vesica being that of the Pyramid, some 481 ft., the diameter of each of the two circles forming it is equal to that of the number divided by half the sqaure root of 3, 555.5 ft., and the circumference of each circle is therefore 1746 ft.
     According to Mitchell,   "The dimensions and geometry of the Great Pyramid relate symbolically to the 'number of fusion', 1746, in that the Pyramid's height of 481 ft. forms the longer axis of a vesica piscis made by the intersection of two equal circles of circumference of 1746 ft. The perimeter of the rhombus contianed within the vesica is 1110 ft. and the area of the rhombus 66600 sq. ft.



Monday, August 10, 2020

Giant Skeletons Discovered in Paulding County, Ohio

Giant Skeletons Discovered in Paulding County, Ohio

Very few burial mounds were constructed in Paulding County, Ohio

Perrysburg Journal (Perrysburg, Ohio) December 4, 1874
   The skeletons of an Indian of gigantic size was found the other day, in Paulding County.  From the appearance, it was thought he was fully ten feet in height.  Two knives, a spearhead, and a handsomely carved pipe were also found.